OMBR-0001  ¥2,200+tax
September, 23, 2020

  We are always late for the sound we hear.
The sound is the shadow of our hearing.
The sound (as image) always arrives late.
In this work I try to document the intricate ways in which
the ear (hearing), the finger (performing) and the eye (reading)
entangle one another.
 
Midori Kubota
 

All tracks composed and performed by Midori Kubota
Recorded by Masuhisa Nakamura
Mixed by Seigen Ono and Takehiko Kamada
Mastered by Seigen Ono
Designed by Goshi Uhira
Singing on Tr. 10 by Ayako Kosaka
 
Produced by Midori Kubota

 


We are pleased to present Midori Kubota's later as our first album since the establishment of ombrophone records. I hope you will enjoy this less than an hour-long sound documentary in which piano and voice sometimes intertwine, sometimes betray each other.
 

Takanari Fukuta
The founder of ombrophone records
 
CD OMBR-0001  ¥2,200+tax
September, 23, 2020

  We are always late for the sound we hear.
The sound is the shadow of our hearing.
The sound (as image) always arrives late.
In this work I try to document the intricate ways
in which
the ear (hearing), the finger (performing)
and the eye (reading)
entangle one another.
 
Midori Kubota
 

All tracks composed and performed by
Midori Kubota
 
Recorded by
Masuhisa Nakamura
 
Mixed by
Seigen Ono and Takehiko Kamada
 
Mastered by
Seigen Ono
 
Designed by
Goshi Uhira
 
Singing on Tr. 10 by
Ayako Kosaka
 
Produced by
Midori Kubota

 


We are pleased to present Midori Kubota's later as our first album since the establishment of ombrophone records. I hope you will enjoy this less than an hour-long sound documentary in which piano and voice sometimes intertwine, sometimes betray each other.
 

Takanari Fukuta
The founder of ombrophone records